
BREATHE INTO THE PAST: CROSSCURRENTS IN THE CARIBBEAN
Breathe into the Past: Crosscurrents in the Caribbean features the work of twelve artists with connections to the Caribbean—including the Dominican Republic, Jamaica, Cuba, Haiti, Puerto Rico, Guyana, Trinidad & Tobago, and coastal Colombia. Artists in the exhibition include Firelei Báez, Albert Chong, Andrea Chung, Maksaens Denis, Hulda Guzmán, Renluka Maharaj, Suchitra Mattai, Carlos Martiel, Javier Orfón, Wanda Raimundi-Ortiz, María Isabel Rueda, and Nyugen Smith.



The lands that touch the Caribbean Sea have become inextricably intertwined, over the centuries, with the rest of the globe, including parts of Africa, India, China, Japan, Europe, the United States, and elsewhere. The Caribbean’s ecologies, economies, and cultures have been fundamentally shaped by these relationships, which have involved shifting empires and colonization, travels across bodies of water both voluntarily and forced, and the bodies of water themselves.
Breathe into the Past: Crosscurrents in the Caribbean takes its title from a line in Alexis Pauline Gumbs’s 2020 book Dub: Finding Ceremony, which is about channeling ancestral knowledge toward understanding Caribbean histories and navigating Caribbean futures.
The twelve featured artists in this exhibition hail from the Dominican Republic, Jamaica, Cuba, Haiti, Puerto Rico, Guyana, Trinidad and Tobago, coastal Colombia, and beyond. Their artworks offer insights into the complex histories that have influenced the present—sometimes on grand scales, at other times in subtler yet still undeniable ways.
They acknowledge human and nonhuman entanglements, situate contemporary politics in spaces of coloniality and imperialism, and celebrate long histories of resistance and perseverance. They integrate a broad range of materials—vintage saris, codfish skins, bougainvillea thorns, sugar—into sculptures, books, photographs, films, and more, to speak to histories of migration and diaspora (the scattering of peoples from their homelands). In this way, the works and the artists who made them offer poetic responses to often-marginalized histories.







“The artists in this exhibition make an important contribution to our understanding of the Caribbean, its past, and its future. Each of the works is a powerful example of how knowledge can be produced through material histories, intergenerational mentorship, and the channeling of ancestral influence,” said Michael Christiano, Director of Visual Arts & Museum Director.
Breathe into the Past: Crosscurrents in the Caribbean is organized by Dr. Naomi Wood, NEH Distinguished Teaching Professor in the Humanities, and Chair and Associate Professor of Spanish and Portuguese at Colorado College, and Katja Rivera, Curator of Contemporary Art at the Colorado Springs Fine Arts Center at Colorado College, with Savanah Pennell, Curatorial Paraprofessional at the Colorado Springs Fine Arts Center at Colorado College.

BREATHE INTO THE PAST: CROSSCURRENTS IN THE CARIBBEAN
Colorado Springs Fine Arts Center at Colorado College, 30 West Dale St., Colorado Springs, CO
September 9, 2022 – January 29, 2023
También te puede interesar
JAVIER ORFÓN: EL OJO DE ARCILLA
El trabajo de Javier Orfón (Puerto Rico, 1989) se basa en el concepto de topofilia, un sentido fuerte de sitio que abarca las sensaciones y experiencias estéticas ligadas a un espacio particular. Su experiencia...
FELICES CURIOSIDADES*
Las felices curiosidades entre el espacio de la galería, los planos, la forma de la proporción áurea y la búsqueda de un sistema de clasificación, permitieron considerar, para el presente esquema narrativo, que la...
EL DIBUJO PERFORMATIVO: DES/APARECER EN LAS PANTALLAS
Pensar el contexto digital vendría a suponer también trazar algunos cuestionamientos sobre el problema de la memoria y el soporte. Si bien la imagen digital supone tradicionalmente la pérdida de la huella indicial, podemos...