Latinx artists

RE-COLLECTIONS

«Re-collections» surveys cultural extraction, Eurocentric archeology, and biased museology.  Echoing an increasing demand for the restitution of looted cultural artifacts and monuments, the exhibiting artists unveil co-opted narratives obscured under the lens of ethnographic scholarship.

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BUILDING RADICAL SOIL

«Building Radical Soil», exposición organizada por The Latinx Project de la Universidad de Nueva York (NYU) y curada por Sofía Shaula Reeser-del Rio, reúne los trabajos de un grupo de artistas latinxs que analizan temas urgentes como las economías extractivas, el racismo medioambiental y el colonialismo mediante la exploración del conocimiento ancestral, intergeneracional y comunitario.

HILOS

«Hilos» is a response to the way craft is framed within Western institutions displaying Latin American, Indigenous and Caribbean Art. Historically these works are shown within a “primitive” lens of the past, and disregard the continuous ripples of colonization that have been woven into the fabric of Latinx identity and history.

Installation view "De por vida" at Company, New York, 2021. Courtesy of the artists and Company gallery

DE POR VIDA

«De Por Vida» [For Life] brings together thirteen artists whose works portray cycles of life, death and legacy. The exhibition at Company (New York) presents Latinx artists Alina Perez, Bony Ramirez, Diana Sofia Lozano, Felipe Baeza, Frieda Toranzo Jaeger, José De Jesus Rodriguez, Oscar Nñ, Raúl de Nieves, Rose Salane, Ruben Ulises Rodriguez Montoya, Sanchez Kane, Sergio Miguel, and Troy Michie.

MURIEL HASBUN. RECORD: CULTURAL PULSES

Muriel Hasbun reframes the cultural legacy of El Salvador during the 1980s and 1990s using personal and historical archives. It imprints the rescued archive of the renowned Galería El Laberinto -an epicenter of cultural activity in El Salvador during its civil war, founded by her late mother Janine Janowski- along with her own photographic archive of the time onto the national seismographic record of El Salvador.

ARLENE DÁVILA: “LO LATINO INDICA RAZA Y MARGINALIDAD”

En el libro «Latinx Art: Artists, Markets and Politics», Arlene Dávila explorar el problema de la visibilidad del arte y los artistas Latinx. Con una mirada crítica, la autora muestra la importancia de la raza, la clase social y el nacionalismo en la configuración de los mercados del arte contemporáneo y cuestiona a las instituciones del arte y la cultura en el ya largo proceso de inclusión y diversificación del mundo del arte.

PÉREZ ART MUSEUM MIAMI LAUNCHES THE LATIN AMERICAN AND LATINX ART FUND

Pérez Art Museum Miami (PAMM) has just launched the Latin American and Latinx Art Fund, a new affiliate group created to support exhibitions and programming at PAMM for Latin American and Latinx artists. The fund’s goal is to support the exhibitions and programming that PAMM has already become known for, including exhibitions on artists such as Firelei Báez, Carlos Motta, Doris Salcedo, Julio LeParc and upcoming exhibitions of Beatriz González and Teresita Fernández, among others.