Tatiana Muñoz-Brenes

Art curator who specializes in LGBTIQ+ museums and queer art. She majored in Art History and in Psychology at the University of Costa Rica, where she is a researcher and teacher. As an independent curator, she has worked on topics related to gender violence, feminist performance, art-science relationship, community museums, sustainability, collection research, and in individual curatorial support to artists. She is currently a Fulbright Scholar and is studying for a Master's in Museum Studies at New York University.

Más publicaciones

Tatiana Muñoz-Brenes • 21.10.2024

A QUEER WOMAN PIONEERS ABSTRACTION: HILMA AF KLINT 80 YEARS AFTER HER DEATH

In honor of Hilma af Klint’s 80th death anniversary, Tatiana Muñoz Brenes offers a thoughtful review of «Hilma», directed by Lasse Hallström. The film not only vividly portrays af Klint’s personal and artistic journey but also critically examines the historical narratives that have often marginalized women artists. Through af Klint’s story, the film underscores the importance of reclaiming these overlooked voices in art history, while also highlighting the distinct challenges and experiences that shaped their creative paths.

Do Women Have to Be Naked To Get Into the Met Museum
Tatiana Muñoz-Brenes • 08.03.2024

DO WOMEN STILL HAVE TO WEAR GORILLA MASKS TO BE LISTENED?

This essay specifically focuses on the 1989 poster “Do Women Have to Be Naked To Get Into the Met. Museum?”—a work that the Guerrilla Girls describe as “the poster that changed it all.” An iconic poster that turns 35 in the spring of 2024, the perfect occasion to commemorate International Women’s Month.