Telón de la móvil y cambiante naturaleza

THE PARADOXICAL INTERNATIONALIZATION OF “PROVINCIAL ART”. BEATRIZ GONZÁLEZ: A RETROSPECTIVE

Countering a slowly changing mainstream museum and gallery trend in the United States which has traditionally viewed Latin American art as derivative or exotic, an underlying thread of this exhibition highlights González’s contribution to the history of 20th-Century art, while dispelling the misconception of González’s work as part of the international pop art movement, in favor of more “nuanced practice in relation to the context from which it emerged.”