Women artists

ON THE EDGE OF VISIBILITY – AN INTERNATIONAL SYMPOSIUM

This symposium offers a transcontinental approach and encompasses postcolonial, feminist, and queer perspectives. Topics discussed will consider the concerns and complexities of defining what it means to be a Black or Indigenous woman artist within different cultural settings.

BORN IN FLAMES: FEMINIST FUTURES

“Born in Flames” highlights a number of artists referencing non-Western folklore and mythologies to create alternate futures. Their works are representative of how each artist is thinking about futurism––including Afro-, Asian-, Indigenous-, and Latinx-futurism, or something that emerges from those narratives.

MARÍA BERRÍO: WAITING FOR THE NIGHT TO BLOOM

Based in Brooklyn, María Berrío (1982) grew up in Colombia. Her large-scale works, which are meticulously crafted from layers of Japanese paper, reflect on cross-cultural connections and global migration seen through the prism of her own history. «Waiting for the Night to Bloom» is the first survey of her work, on view until May 9 at the Norton Museum of Art (West Palm Beach, Florida).

LOIE HOLLOWELL: GOING SOFT

Loie Hollowell’s pastel drawings for «Going Soft» explore the physical and psychological experiences of pregnancy, birth, and postpartum. Serving as abstracted self-portraits, each drawing reveals the artist’s interior psyche at the time of the work’s creation. Her online exhibition is at Pace Gallery (New York).

Agnes Denes, Wheatfield—A Confrontation. Two acres of wheat planted and harvested by the artist on the Battery Park landfill, Manhattan, Summer 1982. Commissioned by Public Art Fund. Photo by John McGrall. Courtesy the artist and Leslie Tonkonow Artworks + Projects.

Agnes Denes:a Pioneer of Conceptual And Environmental Art

The Shed presents the most comprehensive retrospective exhibition to date of the work of Agnes Denes (b. 1931), a leading figure in Conceptual and Environmental art. «Agnes Denes: Absolutes and Intermediates» brings together more than 150 works in a broad range of media spanning Denes’s 50-year career, including three new works commissioned by The Shed. “Agnes Denes not only anticipated the man-made destruction of natural habitats at a moment when few people were paying attention, but much of her work features solutions to ecological crises that we are now facing,” said Hans Ulrich Obrist, The Shed’s senior program advisor.

From left to right: works by Maria Lassnig, Teresa Pagowska, Judith Bernstein, Wojciech Fangor, Marlene Dumas, Sylvia Sleigh, Sarah Lucas (sculpture). Installation view of "A Woman Looking at Men Looking at Women." Courtesy: Art Stations Foundation CH, Muzeum Susch © Błażej Pindor for Muzeum Susch / Art Stations Foundation CH

A Woman Looking at Men Looking at Women

The themes of the exhibition address several issues central to feminist theory, moving from conventions of female representation through sexual emancipation to the challenging and subversion of traditional gender roles. Artists include Magdalena Abakanowicz, Marlene Dumas, Carol Rama, Carla Accardi, Nicole Eisenman, Helena Almeida, Ida Appelbroog, Carolee Schneemann, Betty Tompkins, Judith Bernstein, Maria Lassnig, Louise Bourgeois, Natalia LL, Hannah Wilke, Geta Brătescu, and Sarah Lucas, among others.