Marlene Dumas

Ria Pacquée, I didn't do it, 2016. Courtesy of the artist. Installation view at M HKA

ROBERTO BOLAÑO’S ANTWERP. AN EXHIBITION INSPIRED BY A NOVEL, A CITY AND A SCENE

In «Antwerp», detectives, victims, artists, alter-egos and vagabonds inhabit an enigmatic story. Bolaño thematises contemporary reality expressed through topics such as crime and corruption, sexual violence, relative truth, memory and erasure, marginality and urbanism, the male gaze, and the sea as a metaphor, all of which resonate with the history and reality of Antwerp. It is the structure, themes and character archetypes of Antwerp that M HKA takes its inspiration from as modes of reflection in this exhibition, titled «Amberes» – referring to the book’s title in its original Spanish.

From left to right: works by Maria Lassnig, Teresa Pagowska, Judith Bernstein, Wojciech Fangor, Marlene Dumas, Sylvia Sleigh, Sarah Lucas (sculpture). Installation view of "A Woman Looking at Men Looking at Women." Courtesy: Art Stations Foundation CH, Muzeum Susch © Błażej Pindor for Muzeum Susch / Art Stations Foundation CH

A Woman Looking at Men Looking at Women

The themes of the exhibition address several issues central to feminist theory, moving from conventions of female representation through sexual emancipation to the challenging and subversion of traditional gender roles. Artists include Magdalena Abakanowicz, Marlene Dumas, Carol Rama, Carla Accardi, Nicole Eisenman, Helena Almeida, Ida Appelbroog, Carolee Schneemann, Betty Tompkins, Judith Bernstein, Maria Lassnig, Louise Bourgeois, Natalia LL, Hannah Wilke, Geta Brătescu, and Sarah Lucas, among others.